Mark Grandfield; It's Getting La

You'd probably have to put in some concerted effort these days in order to come up with a new album by a male vocalist singing virtually an entire program of treasured gems from the unforgettable Great American Songbook. Well, meet Mark Grandfield. He and his accompanying quartet of trumpet-flugelhorn and rhythm section dig deeply into the era of superb songwriting as they revisit such delights as “Nature Boy”, “Call Me Irresponsible”, “Night And Day”, “I Wanna Be Around”, “Smile”, and much more. The good stuff is still out there. Thank you, Mr. Greenfield, for bringing it to us.

Self-produced; 2024; appx. 30 min.

Rick Roe; Tribute: The Music Of Gregg Hill

No less than twelve life affirming melodies and mostly swinging original tunes of composer Gregg Hill are performed here by pianist Rick Roe and his trio. Roe's band mates, Robert Hurst on bass and Nate Winn on drums, help to make these compositions bright, sunny, and cheerful. Roe offers an upbeat, joyful style sometimes reminiscent of one of my personal piano heroes, Pete Jolly. Hill's melodies engage the listeners throughout this session, all of which is perfect for a piano trio. Thank goodness there's still room for “feel good” music in the jazz world. There's plenty of it right here!

Cold Plunge Records; 2024; appx. 55 min.

Alan Chaubert; Just The Three Of Us: Me, The Trumpet, And The Piano

It's not at all unusual to encounter someone who plays flute, clarinet, and various saxophones. The same could be said about piano, vibes, and drums. And of course the trumpet and flugelhorn are close cousins. But how about Alan Chaubert who plays both trumpet and piano. With his playing mates on most cuts, Belden Bullock on bass and Jon Di Fiore on drums, Chaubert has put together a beautifully balanced set. They open with Monk's “Well You Needn't” and move to Charlie Haden's tender and rarely heard “Waltz For Ruth”. “Poinciana”, and “For All We Know” are the two etched in marble standards here. But for me the session highlights are no less than three gorgeous Bill Evans creations, “Peace Piece”, “Turn out The Stars”, and “I Will Say Goodbye”. So, high fives to Alan Chaubert and friends for staying to the music and giving us an album of jazz classics to devour.

Pacific Coast Jazz; 2025; 57:02 min.

Jeremy Pelt; Woven

Over the last decade or so, Jeremy Pelt has established himself as one of this generation's premier trumpet players. And there are some absolutely stunning moments of beauty, passion, and sincerity. On this album Pelt replaces piano accompaniment in favor of a vibraphone. And on much of this session it works very well. I must say, however, that I lose my patience when synthesizers are tossed into the mix on four of the nine selections. To be sure there is some astounding trumpet playing here. But I get the notion that Pelt's use of electronics is aimed at people much younger than yours truly.

High Note; 2025; appx. 50 min.

 

Carl Allen; Tippin'

I'm sure that Carl Allen remains one of the first call drummers in New York City. It's just that I haven't heard anything recorded in quite a spell. But here he is, back on CD with super associates Christian McBride on bass; Chris Potter on tenor and soprano saxophones and bass clarinet; and on one cut, John Lee on piano. The tunes are mostly originals but you may be sure there's some familiar territory as well. The opener, for instance, is Parker's mood, a classic in the bebop book. You'll also hear Frank Loesser's “The Inch Worm”, Irving Berlin's “They Say It's Wonderful”, and Charles Strauss' “Put On A Happy Face”. If you are a member of the Lawrence Welk fan club, I daresay this is not your cup of tea. But if you wish to experience intense contributions from all players, try this one out.  

Cellar Music; 2024; appx. 64 min.

Michel Petrucciani Trio; Jazz Club Montmartre | CPH 1988

Sensational French pianist Michel Petrucciani was well on his way to the summit of the jazz mountain when he passed away in 1999 at the tender age of 36. The European label Stoyville Records has, to our delight, issued this 1988 live performance of Petrucciani with jazz greats Gary Peacock on bass and Roy Haines on drums. On this two-CD set Petrucciani is simply head shakingly amazing. Total playing time is well over 100 minutes of pure piano joy and brilliance. The Frenchman is a fountain of creativity and is absolutely stunning at an often frenetic pace. He and his trio mates move from one five star selection to another. Seven of the twelve pieces are his incredible originals, but he also finds room for material by stalwarts Rodgers and Hart, Duke Ellington, Ornette Coleman, Kosma and Mercer, and Churchill and Morey's “Someday My Prince Will Come”. If you are smart enough to still be buying CDs this is a MUST. His audience is wildly enthusiastic at the end of each track and I believe that you will be too. It is tragic that we lost this savant so young. But here is your chance to revel in his piano genius.

Storyville; 2024; 2 CD's: 50:30 and 56:12

David Caffey Jazz Orchestra; At The Edge Of Spring

As the above tells us, this IS a jazz orchestra in all its glory. These gifted musicians take on eight compositions with fervor and excitement. The soloists are fiery, on target, and seemingly ready to curl your hair. Each section is joyfully precise and every individual plays like this is their album. And let's hope that's not the case! There are too many stirring, outstanding solos to credit them all. This is a highly skilled jazz orchestra playing complex but thoroughly swinging music. Power and punch live here. We all love big bands, but this is truly a jazz orchestra.

HDC Music Publications; 2024; appx. 57 min.

Tom Wakeling; West By Northwest

In regards to one's life work, it's often said “Do what you love.” Well, that adage would apply to Tom Wakeling. During the day, he served on the music faculty of suburban Clackamas Community College and at night he splays bass on gigs throughout the 

Portland, Oregon area. On this straight ahead, energetic album, Wakeling heads a quintet in a live and lively performance. His colleagues, all first cabin players, include Jason Carder, trumpet and flugelhorn; Angelo Versace, piano; and Don Moio, drums. The album is perfectly balanced between original works and familiar choices like Benny Golson's “Out Of The Past”, the Gershwins' “The Man I Love”, Monk's “Evidence”, and two songs with the same title, “Lotus Blossom”. You may be aware that song TITLES are not copyrighted. As a result, trumpet great Kenny Dorham and composer-pianist Billy Strayhorn could both use the title “Lotus Blossom” on very different melody lines. This is superb five star jazz. Great solo work, perfectly honed ensemble playing and an adventurous choice of tunes all live here. Tom Wakeling has been a fixture of Portland's jazz circles for decades. How nice that he gets this opportunity to record with such stimulating friends.

Cellar Music Group; 2025; appx. 64 min.

Jim Snidero; Bird Feathers

Charlie Parker was just thirty-four when he passed away in 1955. That's nearly three quarters of a century ago. But his music has lived on through the decades. On this CD it's in the hands of gifted alto sax man Jim Snidero. He honors Bird's legacy along with Peter Washington, bass, and Joe Farnsworth, drums. No piano here, so all three players get to display their considerable improvisational skills. Five of the nine tunes heard on this session are Parker originals including “Scrapple At The Apple”, “Ornithology”, and “Confirmation”. The other four are all standards that Parker often played. How about “These Foolish Things”,  “Embraceable You”, “The Nearness Of You”, and “Lover Man”. This is a hugely innovative approach to Parker's repertoire with far reaching solo work. Parker's legions of fans will welcome and enjoy this striking meeting of these brilliant players. It's been said for years but it's still worth repeating: BIRD LIVES!

Savant; 2025; appx. 48 min.

Jackson Potter: Small Things

Guitariast Jackson Potter leads a piano-less quintet through a very thoughtful and accessible menu, both originals and some you know and love. Potter's tone on guitar is warm and sensitive on the ballads and vigorous and creative on up-tempo material. Potter's colleagues, all admirably supportive, include Alex Ridout, trumpet and flugelhorn; Troy Roberts, tenor sax; Hamish Smith, bass; and Marcello Cardillo, drums. FYI, the standards here include “Smoke Gets In Your Eyes”, “Everything I Love”, and Dave Brubeck's “The Duke”. The original compositions are mostly lively entries. Every one of them demonstrates the depth of talent and the joy of making meaningful music by Jackson Potter and friends.

Shifting Paradigm Records; 2024; appx. 60 min.

ANSWERS TO GEORGE'S QUIZZES:

1. Straighten Up And Fly Right
2. Sunny Side Of The Street
3. Nice Work If You Can Get It
4. Route 66
5. Exactly Like You
6. Almost Like Being In Love
7. Sweet Lorraine
8. Too Marvelous For Words
9. Embraceable You
10. Yes Sir That's My Baby
11. I've Got The World on A String
12. What Is This Thing Called Love
13. 'Deed I Do
14. It's Only A Paper Moon
15. Sunday

HAVE SOME FUN WITH GEORGE'S QUIZZES!

Here we have a portion of lyrics to well known standards. How many of the song titles can you identify?

Hint: All songs are associated with Nat King Cole.

1. cool down papa
2. leave your worries
3. holding hands at midnight
4. San Bernadino
5. prayed each night
6. the whole human race
7. a brand new choo choo toy
8. that old standby
9. the many charms about you
10. I don't mean maybe

     11. sittin' on a rainbow

     12. who can solve the mystery

     13. oh my, do I?

     14. a cardboard sea

     15. it never goes by

GEORGE'S BRIEFS

Neff Irizarry; Cambio [Change]Guitarist Neff Irizarry leads a very energetic Latin influenced quartet with vibes, bass, and percussion. The eleven songs heard here are all originals conceived with high spirits and a fun loving feeling. This is feel good music to be sure. And it is very well played from the first note to the last. 

Blue Canoe Records; 2024; times not indicated

Dan Moretti And Brazilia; Celebrating Wayne Shorter

Tenor and soprano saxophonist Dan Moretti has assembled an ensemble playing the music of one of jazzzdom's true greats, Wayne Shorter. The group frames these selections in a Latin surrounding and it all comes across perfectly. Tunes include “Black Nile”, “Fee Fi Fo Fum”, “Speak No Evil”, and perhaps my two personal favorite Shorter compositions, “Yes Or No” and “Footprints”. Wayne fans, you'll want to get your hands on this one.

Roots Grooves Records; 2024; appx. 51 min.

Gardyn Jazz Orchestra; Vinyl Brews

The Gardyn (yes, that's how they spell it) Jazz Orchestra is a big band with high energy. They blast away on six originals and three alternate takes in a live and lively performance. Most of the players are featured in riveting solos. Everybody—-orchestra and audience---seems to be having a wonderful time. Undoubtedly, you will too!

JCGardner Music; 2024; appx. 47 min.

Joe Syrian Motor City Jazz Octet; Secret Message

Now here is a talented bunch that makes no apologies for playing mostly from an era when songwriting was truly an art. As a result we are treated to sparkling, fresh interpretations of “Bye Bye Blackbird”, “Star Eyes”, “Night And Day”, “I Should Care”,  and a few titles from more recent years. These inform us that some of us still care about quality music well performed.

Circle 9 Records; 2024; appx. 45 min.

Doug MacDonald; Santa Monica Session

The sound of Doug MacDonald's bright, feel good guitar is back once again for us to enjoy. With a polished and supportive rhythm section, MacDonald swings with authority on tunes like “Lady Bird”, “Prisoner Of Love”, “Walkin'”, “Pent Up House”, “Perdido”, and a few of his own very well performed originals. Doug MacDonald is fortunate to record quite frequently and each disc is a delight to hear.

Dmac Music; probably 2024; appx. 37 min.

PJ Perry; No Hugs

There's a story behind this title: During the Covid pandemic we weren't able to hug each other. Hence, No Hugs, the title of this CD. If you haven't already done so, you need to check out the exciting alto player PJ Perry. His quintet winds its way through eight original compositions, all of which are a delight to the ear. Some may call this hard bop, but the music played here is so lyrical and so together that you may think twice before using that reference. The tempos are swinging but not excessively so. Everybody gets ample opportunity to display impressive solo chops. Let's say it this way: This is the heart of the jazz art from every standpoint. PJ Perry and his pals are simply enjoying another day at the office. And this office brings first class jazz from note one.

Cellar 20; 2024; times not indicated

Charles Tolliver "Live At The Captain's Cabin"

One might say that trumpet man Charles Tolliver chose the road less travelled. To my ears, his music is “out there”, sort of Charles Tolliver meets George Russell. This two-CD set is particularly interesting because Tolliver and company go for broke on CD #1 and sound much more straight ahead on CD #2. Also notable is the presence of the late piano giant John Hicks who is up to the task on any tempo. Tolliver, when he brings the tempestuous tempo down, is a fountain of ideas. Warning: This is not music for your great aunt Muriel who owns a collection of Mantovani. You might have to stretch a bit, but there are worthwhile things happening here. Take the plunge; it won't hurt a bit.

Reel to Real; 2024; times not indicated

Cliff Korman "Urban Tracks"

There is a certain way of playing the piano where it produces a gentle and exquisite sound. We hear it only rarely, even among the best known piano heroes. But here it is in the hands of Cliff Korman. Every note is pure perfection as Korman and his trio give familiar fare such as “Manhã de Carnaval”, “All The Things You Are”, and “Whisper Not”. In addition to these, Korman includes beautifully crafted originals, some with a suggestion of sensitive and “Latinesque” sound which approaches poetic purity. I think it will capture and envelop you from note one.

Self-produced; 2024; appx. 57 min.

Jason Marshall "New Beginnings

Do you care to sample the big, burly sound of the baritone saxophone? If so, I think perhaps Jason Marshall is your man. He leads a first cabin east coast rhythm section of Marc Cary, piano; Gerald Cannon, bass; and Willie Jones III, drums. Marshall and crew kick it off with Joe Henderson's “Recordame”, a rousing opener. Most of the rest of the session is devoted to jazz classics like Sonny Rollins' “Airegin”, Luis Bonfa's “Black Orpheus”, and Charles Mingus' classic “Peggy's Blue Skylight”. The two standards in the set are “I'll Never Stop Loving You” and Rodgers and Hart's “forever” tune, “I Could Write A Book”. Marshall is a big toned baritone and his pals provide perfect support.

Cellar 20; 2024; appx. 41 min.

Eugenie "Eugenie Jones"

Singers seem to be aplenty in this group of reviews, and Eugenie Jones is the entire package. She sings spot-on-key and has that rare ability to convey the meaning of a lyric. Most importantly, she possesses that innate ability that can't be taught; she's very much a jazz singer. On this session, with a host of accompanists, Jones takes on a handful of newer tunes and a few that you're sure to know. How about “It Don't Mean A Thing”, “Sinnerman”, “I Love Being Here With You”, and “Work Song”. Eugenie Jones brings a lot of jazz credibility, heart, great range, and a superb sense of feeling to her art. She'll be heard from again and again.

Openmic Records; 2024; appx. 61 min.

Mike Ledonne and Eric Alexander "Heavy Hitters"

Two all-around versatile and truly exciting musicians, pianist Mike Ledonne and tenor sax ace Eric Alexander co-lead this steamy hard bop session. Believe me, the album title says it all. And let's not forget the blistering presence of Jeremy Pelt on trumpet; Vincent Herring on alto sax, Alexander Claffy on bass, and the very busy Kenny Washington on drums. Eight of the ten tunes are originals and if you need your hair curled, I think this will do the job! Just for good measure, the standards here are “My One And Only Love”, and surprise big time, a blast from the past, Jule Styne's hit, “It's Magic”. But for the most part, this is a heavy duty session, big on fiery solo work and, I should say---as good as it gets!

Cellar Music; 2024; appx. 73 min.

Liz Cole "I Want To Be Happy"

Many good songs from Songbook America have been discovered by today's young singers. Liz Cole is one of them as she flawlessly works her vocal magic on ten tunes that will delight you. With varied accompaniment from one track to another, she has obviously done her homework with notable choices like Eubie Blake's “I'd Give A Dollar For A Dime” and the surprise of the set, Cole Porter's “You're Sensational” from the movie High Society. I can clearly hear it in my head as sung by the great Frank Sinatra. There are also some new tunes here, each done with a carefree and capable confidence. Nice going, Liz---you unearthed some good ones!

Self-produced, probably 2024; appx. 36 min.

Dave Stryker "Stryker With Strings Goes To The Movies"

To my ear, veteran guitarist Dave Stryker has always leaned in the direction of a pop-funk approach to his jazz style. I must say that I like this disc a lot and I'll tell you why. Stryker works here with strings and a full orchestra. And the arrangements are so well thought out that they enhance Stryker's leadership position. The songs are all themed from movies, many of which are action type thrillers. Hence we have themes from “You Only Live Twice”, “Shaft”, “Taxi Driver”, “Anatomy Of A Murder”, and even “The Sound Of Music”. Stryker is well up to the task of working with a full orchestra. Needless to say, this project comes off as quite illuminating.

Strikezone Records; 2025; appx. 61 min.

Ginetta's Vendetta "Fun Size"

Here we have an invigorating jazz group led by trumpet player Ginetta M. She and an equally skilled sax player keep things hopping with help, of course, from a swinging rhythm section. Thirteen tunes are well balanced between standards and a few originals. The ones you know include “There Will Never Be Another You”, “Black Orpheus”, “It Could Happen To You”, and even “Moon River”. There's a lot of technique here as well as some downright pretty playing. And who can argue that! This ensemble should satisfy both the seasoned jazz listener and anyone who simply appreciates quality music making. 

Kickin' Wiccan Music; 2024; times not indicated

Vanisha Gould; She's Not Shiny, She's Not Smooth

Singer Vanisha Gould has been compared by one writer to Carmen McRae. High praise indeed, and one can certainly hear a McRae-ish similarity. On this recording she sings an entire program of her own compositions. And her writing is quite stimulating, wise, and clever. So give her credit for some interesting content. Speaking only for myself, I could climb aboard the Carmen train if Vanisha had chosen a few well placed jazz tunes---like Carmen always did. Anyway, Vanisha Gould is a singer with definitive jazz chops. In my book, that goes a long way.

Cellar Music; 2024; appx. 49 min

Bill May "Bill Mays Sings"

In the brief notes to this collection, Bill Mays explains that over decades of working with many of our prominent singers, he himself has occasionally taken to vocalizing. Anyone who knows anything about jazz pianists is aware that Bill Mays is one of the most versatile and constantly brilliant pianists over a long period of time. Here he accompanies himself on a gathering of songs he has sung at various concerts. From Dave Frishberg's clever “Do You Miss New York” to Irving Berlin's “I Love A Piano”, Mays has a ball with both original lyrics and some additional ones that he contributed. Other tunes include a reimagining of “Have You Met Miss Jones” which becomes “Have You Heard Hank Jones”, “I'm Always Drunk In San Francisco” (check out the last line), the very funny “April In Fairbanks”, plus much loved standards like “Get Out Of Town”, “'Tis Autumn”, and “Let's Call The Whole Thing Off” among others. It was finally time for Bill Mays to do this album and he has done it with charm, humor, and Mays-like creativity. 

No Blooze Music Productions; 2024; times not indicated

Ben Paterson; Cookin' In The Cove

On his last couple of recordings Ben Paterson took a hiatus from the piano and turned his attention to the organ. As excellent as those efforts were, I'm glad to inform you that he has returned to the splendid Yamaha or the historic Steinway or whatever piano that makes him so great! With his fully communicative colleagues, Neal Miner on bass and Aaron Seeber on drums, Paterson is superbly on target on a menu of mostly original, sprightly swinging tunes. The rest of the good news is that the trio also shines on much admired fare such as “'Tis Autumn”, “This Here”, and a blues called “Chitlins Con Carne”. Paterson has a beautiful, resonant touch, and every selection portrays him as a distinguished artist. This is a piano jazz trio at its finest. No gimmickry, no excess, just pure piano pleasure. Ben Paterson is the real deal and you'd do yourself a favor by adding this one to your collection.

Cellar Music; 2024; appx. 50 min.

https://benpaterson.bandcamp.com/album/cookin-in-the-couve