Rick Roe; Tribute: The Music Of Gregg Hill

No less than twelve life affirming melodies and mostly swinging original tunes of composer Gregg Hill are performed here by pianist Rick Roe and his trio. Roe's band mates, Robert Hurst on bass and Nate Winn on drums, help to make these compositions bright, sunny, and cheerful. Roe offers an upbeat, joyful style sometimes reminiscent of one of my personal piano heroes, Pete Jolly. Hill's melodies engage the listeners throughout this session, all of which is perfect for a piano trio. Thank goodness there's still room for “feel good” music in the jazz world. There's plenty of it right here!

Cold Plunge Records; 2024; appx. 55 min.

Alan Chaubert; Just The Three Of Us: Me, The Trumpet, And The Piano

It's not at all unusual to encounter someone who plays flute, clarinet, and various saxophones. The same could be said about piano, vibes, and drums. And of course the trumpet and flugelhorn are close cousins. But how about Alan Chaubert who plays both trumpet and piano. With his playing mates on most cuts, Belden Bullock on bass and Jon Di Fiore on drums, Chaubert has put together a beautifully balanced set. They open with Monk's “Well You Needn't” and move to Charlie Haden's tender and rarely heard “Waltz For Ruth”. “Poinciana”, and “For All We Know” are the two etched in marble standards here. But for me the session highlights are no less than three gorgeous Bill Evans creations, “Peace Piece”, “Turn out The Stars”, and “I Will Say Goodbye”. So, high fives to Alan Chaubert and friends for staying to the music and giving us an album of jazz classics to devour.

Pacific Coast Jazz; 2025; 57:02 min.

Jeremy Pelt; Woven

Over the last decade or so, Jeremy Pelt has established himself as one of this generation's premier trumpet players. And there are some absolutely stunning moments of beauty, passion, and sincerity. On this album Pelt replaces piano accompaniment in favor of a vibraphone. And on much of this session it works very well. I must say, however, that I lose my patience when synthesizers are tossed into the mix on four of the nine selections. To be sure there is some astounding trumpet playing here. But I get the notion that Pelt's use of electronics is aimed at people much younger than yours truly.

High Note; 2025; appx. 50 min.

 

Carl Allen; Tippin'

I'm sure that Carl Allen remains one of the first call drummers in New York City. It's just that I haven't heard anything recorded in quite a spell. But here he is, back on CD with super associates Christian McBride on bass; Chris Potter on tenor and soprano saxophones and bass clarinet; and on one cut, John Lee on piano. The tunes are mostly originals but you may be sure there's some familiar territory as well. The opener, for instance, is Parker's mood, a classic in the bebop book. You'll also hear Frank Loesser's “The Inch Worm”, Irving Berlin's “They Say It's Wonderful”, and Charles Strauss' “Put On A Happy Face”. If you are a member of the Lawrence Welk fan club, I daresay this is not your cup of tea. But if you wish to experience intense contributions from all players, try this one out.  

Cellar Music; 2024; appx. 64 min.

Michel Petrucciani Trio; Jazz Club Montmartre | CPH 1988

Sensational French pianist Michel Petrucciani was well on his way to the summit of the jazz mountain when he passed away in 1999 at the tender age of 36. The European label Stoyville Records has, to our delight, issued this 1988 live performance of Petrucciani with jazz greats Gary Peacock on bass and Roy Haines on drums. On this two-CD set Petrucciani is simply head shakingly amazing. Total playing time is well over 100 minutes of pure piano joy and brilliance. The Frenchman is a fountain of creativity and is absolutely stunning at an often frenetic pace. He and his trio mates move from one five star selection to another. Seven of the twelve pieces are his incredible originals, but he also finds room for material by stalwarts Rodgers and Hart, Duke Ellington, Ornette Coleman, Kosma and Mercer, and Churchill and Morey's “Someday My Prince Will Come”. If you are smart enough to still be buying CDs this is a MUST. His audience is wildly enthusiastic at the end of each track and I believe that you will be too. It is tragic that we lost this savant so young. But here is your chance to revel in his piano genius.

Storyville; 2024; 2 CD's: 50:30 and 56:12

David Caffey Jazz Orchestra; At The Edge Of Spring

As the above tells us, this IS a jazz orchestra in all its glory. These gifted musicians take on eight compositions with fervor and excitement. The soloists are fiery, on target, and seemingly ready to curl your hair. Each section is joyfully precise and every individual plays like this is their album. And let's hope that's not the case! There are too many stirring, outstanding solos to credit them all. This is a highly skilled jazz orchestra playing complex but thoroughly swinging music. Power and punch live here. We all love big bands, but this is truly a jazz orchestra.

HDC Music Publications; 2024; appx. 57 min.

Tom Wakeling; West By Northwest

In regards to one's life work, it's often said “Do what you love.” Well, that adage would apply to Tom Wakeling. During the day, he served on the music faculty of suburban Clackamas Community College and at night he splays bass on gigs throughout the 

Portland, Oregon area. On this straight ahead, energetic album, Wakeling heads a quintet in a live and lively performance. His colleagues, all first cabin players, include Jason Carder, trumpet and flugelhorn; Angelo Versace, piano; and Don Moio, drums. The album is perfectly balanced between original works and familiar choices like Benny Golson's “Out Of The Past”, the Gershwins' “The Man I Love”, Monk's “Evidence”, and two songs with the same title, “Lotus Blossom”. You may be aware that song TITLES are not copyrighted. As a result, trumpet great Kenny Dorham and composer-pianist Billy Strayhorn could both use the title “Lotus Blossom” on very different melody lines. This is superb five star jazz. Great solo work, perfectly honed ensemble playing and an adventurous choice of tunes all live here. Tom Wakeling has been a fixture of Portland's jazz circles for decades. How nice that he gets this opportunity to record with such stimulating friends.

Cellar Music Group; 2025; appx. 64 min.