Cliff Korman "Urban Tracks"

There is a certain way of playing the piano where it produces a gentle and exquisite sound. We hear it only rarely, even among the best known piano heroes. But here it is in the hands of Cliff Korman. Every note is pure perfection as Korman and his trio give familiar fare such as “Manhã de Carnaval”, “All The Things You Are”, and “Whisper Not”. In addition to these, Korman includes beautifully crafted originals, some with a suggestion of sensitive and “Latinesque” sound which approaches poetic purity. I think it will capture and envelop you from note one.

Self-produced; 2024; appx. 57 min.

Jason Marshall "New Beginnings

Do you care to sample the big, burly sound of the baritone saxophone? If so, I think perhaps Jason Marshall is your man. He leads a first cabin east coast rhythm section of Marc Cary, piano; Gerald Cannon, bass; and Willie Jones III, drums. Marshall and crew kick it off with Joe Henderson's “Recordame”, a rousing opener. Most of the rest of the session is devoted to jazz classics like Sonny Rollins' “Airegin”, Luis Bonfa's “Black Orpheus”, and Charles Mingus' classic “Peggy's Blue Skylight”. The two standards in the set are “I'll Never Stop Loving You” and Rodgers and Hart's “forever” tune, “I Could Write A Book”. Marshall is a big toned baritone and his pals provide perfect support.

Cellar 20; 2024; appx. 41 min.

Eugenie "Eugenie Jones"

Singers seem to be aplenty in this group of reviews, and Eugenie Jones is the entire package. She sings spot-on-key and has that rare ability to convey the meaning of a lyric. Most importantly, she possesses that innate ability that can't be taught; she's very much a jazz singer. On this session, with a host of accompanists, Jones takes on a handful of newer tunes and a few that you're sure to know. How about “It Don't Mean A Thing”, “Sinnerman”, “I Love Being Here With You”, and “Work Song”. Eugenie Jones brings a lot of jazz credibility, heart, great range, and a superb sense of feeling to her art. She'll be heard from again and again.

Openmic Records; 2024; appx. 61 min.

Mike Ledonne and Eric Alexander "Heavy Hitters"

Two all-around versatile and truly exciting musicians, pianist Mike Ledonne and tenor sax ace Eric Alexander co-lead this steamy hard bop session. Believe me, the album title says it all. And let's not forget the blistering presence of Jeremy Pelt on trumpet; Vincent Herring on alto sax, Alexander Claffy on bass, and the very busy Kenny Washington on drums. Eight of the ten tunes are originals and if you need your hair curled, I think this will do the job! Just for good measure, the standards here are “My One And Only Love”, and surprise big time, a blast from the past, Jule Styne's hit, “It's Magic”. But for the most part, this is a heavy duty session, big on fiery solo work and, I should say---as good as it gets!

Cellar Music; 2024; appx. 73 min.

Liz Cole "I Want To Be Happy"

Many good songs from Songbook America have been discovered by today's young singers. Liz Cole is one of them as she flawlessly works her vocal magic on ten tunes that will delight you. With varied accompaniment from one track to another, she has obviously done her homework with notable choices like Eubie Blake's “I'd Give A Dollar For A Dime” and the surprise of the set, Cole Porter's “You're Sensational” from the movie High Society. I can clearly hear it in my head as sung by the great Frank Sinatra. There are also some new tunes here, each done with a carefree and capable confidence. Nice going, Liz---you unearthed some good ones!

Self-produced, probably 2024; appx. 36 min.

Dave Stryker "Stryker With Strings Goes To The Movies"

To my ear, veteran guitarist Dave Stryker has always leaned in the direction of a pop-funk approach to his jazz style. I must say that I like this disc a lot and I'll tell you why. Stryker works here with strings and a full orchestra. And the arrangements are so well thought out that they enhance Stryker's leadership position. The songs are all themed from movies, many of which are action type thrillers. Hence we have themes from “You Only Live Twice”, “Shaft”, “Taxi Driver”, “Anatomy Of A Murder”, and even “The Sound Of Music”. Stryker is well up to the task of working with a full orchestra. Needless to say, this project comes off as quite illuminating.

Strikezone Records; 2025; appx. 61 min.

Ginetta's Vendetta "Fun Size"

Here we have an invigorating jazz group led by trumpet player Ginetta M. She and an equally skilled sax player keep things hopping with help, of course, from a swinging rhythm section. Thirteen tunes are well balanced between standards and a few originals. The ones you know include “There Will Never Be Another You”, “Black Orpheus”, “It Could Happen To You”, and even “Moon River”. There's a lot of technique here as well as some downright pretty playing. And who can argue that! This ensemble should satisfy both the seasoned jazz listener and anyone who simply appreciates quality music making. 

Kickin' Wiccan Music; 2024; times not indicated

Vanisha Gould; She's Not Shiny, She's Not Smooth

Singer Vanisha Gould has been compared by one writer to Carmen McRae. High praise indeed, and one can certainly hear a McRae-ish similarity. On this recording she sings an entire program of her own compositions. And her writing is quite stimulating, wise, and clever. So give her credit for some interesting content. Speaking only for myself, I could climb aboard the Carmen train if Vanisha had chosen a few well placed jazz tunes---like Carmen always did. Anyway, Vanisha Gould is a singer with definitive jazz chops. In my book, that goes a long way.

Cellar Music; 2024; appx. 49 min